In One Another's World

Someone passes, someone works, someone watches. A face meets its reflection; a gesture finds an echo across the street. For a moment, lives that may never meet occupy the same picture.

Pictures Among People

Pictures hang from a fence or gather on a stall. Their sellers and viewers become part of another picture, made by the open air and the passing light.

A crouched figure nearly disappears among patterned cloth and hanging pictures.

Among Other Pictures

New York, 2024

A vendor crouches among hanging prints, his patterned shirt joining their colors. For a moment, the person tending the pictures becomes another part of their arrangement.

A runner is briefly airborne beside a railing and a distant monochrome skyline.

Before the Foot Returns

New York, 2022

A runner lifts away from the pavement beside the reservoir. Behind the suspended stride, the Manhattan skyline holds its place.

Room for a Small Life

Stairways rise, children gather, a guitarist plays, and two small figures watch the carriages. Across these city scenes, ordinary acts occupy the space beneath the larger structures.

The Vessel at Hudson Yards rising over a crowd, in black and white.

Stairs Above the Crowd

New York, 2022

The Vessel rises above the people at its base. Its repeating stairways carry the eye upward from the crowded ground.

A group of children huddled together in the snow, one holding up a selfie stick

Making Room in the Picture

New York, 2019

Children in winter coats gather beneath a raised selfie stick. Within the larger street scene, they are making a picture of their own.

A seated guitarist plays beside a stone pillar and scattered fallen leaves in black and white.

A Place for a Song

New York, 2018

A guitarist plays beside the stone pillars of Bethesda Terrace. Fallen leaves lie at his feet, and the arcade opens around his small performance.

Two children in matching knit hats and dark coats watch horse carriages from between parked bicycles, in black and white.

Two Small Witnesses

New York, 2018

Two children in matching hats watch the horse-drawn carriages. From behind them, the scene opens at the height of their attention.

For as Long as It Lasts

A dancer balances on one hand. A soap bubble holds a shifting shape in the air. In the park, play makes forms that last only as long as the moment allows.

A dance performance in a park.

The Park Keeps Time

New York, 2018

A dancer balances upside down on one hand beneath the autumn trees. Around him, the watching figures keep their feet on the ground.

Someone making soap bubbles.

A Brief Architecture

New York, 2018

Soap bubbles take shape in the air. The space around them becomes visible for as long as their thin surfaces hold.

Small figures follow a balcony below sweeping white architectural ribs.

A Small Line of People

New York, 2018

People lean along a curved balcony beneath the Oculus's white ribs. Their small figures give the sweep of the building a human measure.

New York, at a Distance

New York, 2020. Masks enter daily routines, plywood covers shop windows, and an older man looks out during lockdown. Across these photographs, the city remains inhabited even where distance has become newly visible.

A pedestrian crosses geometric shadows in front of a boarded storefront.

The Street Under Plywood

New York in Covid, 2020

New York, 2020. A masked woman passes a boarded storefront marked BLM. Sunlight falls across the temporary walls of a city living through more than one upheaval.

A pale-leaved tree and its shadow spread across a red brick facade, blue windows and green awning.

Spring Reaches the Windows

New York in Covid, 2020

New York, 2020. Flowering branches spread across a brick facade. During the pandemic spring, the tree brings the season close to the windows.

A pedestrian with green hair and pink headphones strides past yellow graffiti.

Still in Color

New York in Covid, 2020

New York, 2020. Green hair and pink headphones pass a yellow wall. A mask belongs to the same day's clothing, amid colors that remain emphatically personal.

A cyclist crossing the street.

Across the Changed Street

New York in Covid, 2020

New York, 2020. A cyclist crosses the street. An ordinary movement passes through a city whose daily rhythms have changed.

A lone pedestrian crosses a broad avenue between rows of buildings and distant traffic.

Room to Cross

New York in Covid, 2020

New York, 2020. A masked man crosses a near-empty avenue. The familiar street opens around him with an unfamiliar amount of space.

A person pushes a cart past a storefront door holding their reflection.

The Mail Still Comes

New York in Covid, 2020

New York, 2020. A masked mail carrier passes a glass door that repeats his figure. The day's deliveries continue through the altered city.

Running through a park.

A Route Through the Day

New York in Covid, 2020

New York, 2020. A runner moves through the park. During the pandemic, a stretch of open ground remains a place for the body to keep moving.

A man in a bright patterned jacket by scaffolding, the street in black and white.

A Color That Stays

New York in Covid, 2020

New York, 2020. A patterned jacket remains bright beneath the scaffolding as the surrounding street turns monochrome. One figure holds the picture's color.

Four windows in a red brick wall; a man looks out of one.

At the Window

New York in Covid, 2020

New York, 2020. During lockdown, an older man looks out from one of four windows. The street lies beyond the frame; the window is his point of contact with it.

People at a viewpoint.

Where People Look Out

Los Angeles, 2018

People gather at a viewpoint. The place from which the view is seen becomes a scene of its own.

An Afternoon in Passing

Bright facades hold their places as people pass and gather before them. A step and a shadow mark smaller intervals within the afternoon.

A woman in a dark hat and coat walks below red stair rails against a turquoise church facade.

A Step Beneath Forever

Nassau, 2024

Beneath a sign promising enduring love, a woman's heel lifts from the pavement. The red railings hold their line above her passing.

People outside a building.

At the Building's Edge

Nassau, 2024

People stand outside a building. Along its edge, the built city meets the smaller scale of an ordinary day.

A gorilla raises its hands before painted mountains while dark visitor silhouettes occupy the foreground.

A Mountain Within Reach

San Diego, 2018

A gorilla raises an arm before a painted mountain. The distant landscape ends at the enclosure wall.

Visitors face a captive gorilla across glass in a monochrome photograph.

On Either Side of Looking

San Diego, 2018

Faces gather on either side of the glass. The gorilla and the visitors seem briefly to share a direction of attention, while the pane keeps their worlds apart.

A costumed figure encountered on the street.

A Hand Across the Story

San Diego, 2018

A costumed performer reaches toward a child on the pavement. For a moment, the imagined character and the passing day come within touching distance.

Hands at Work, Bodies at Rest

A baker works behind glass; visitors lean along a waterfront railing. These two scenes place the day's labor beside the time spent looking outward.

A baker works with dough behind reflective glass in a monochrome shop interior.

Morning Made by Hand

San Francisco, 2018

Hands press dough beside rows of waiting loaves. Window light crosses the work, giving the morning a shape before it reaches the street.

Visitors look across water toward floating platforms occupied by birds and sea lions in black and white.

An Afternoon at the Rail

San Francisco, 2018

People lean over the railing to watch sea lions on the docks. Along the waterfront, looking becomes a way of spending the afternoon.

Ways of Staying by the Water

A canopy lifts above the shore; two chairs face a passing ship. The pair holds two ways of meeting the same open space, through movement and through rest.

A large kite flying.

A Shape the Air Can Hold

Vancouver, 2026

A curved canopy lifts above a figure on the shore. Offshore, a ship carries another kind of weight across the same view.

Two people in red folding chairs watch a large cruise ship pass beneath a bridge.

Let the Ship Go By

Vancouver, 2026

Two people sit in red chairs as a ship passes beneath the bridge. The immense vessel moves through the small view they have settled into.

Colorful figures painted on industrial silos tower over a row of concrete mixer trucks.

Faces Above the Workday

Vancouver, 2026

Painted faces rise over a row of mixer trucks. The silos give the industrial yard a set of improbable onlookers.

The City Already in Pictures

A meal appears through reflections, a cat joins the roof guardians, and workers stand beneath oversized words. The figures of the living city enter its windows, ornaments, and signs.

Two women sit across a restaurant table beneath lanterns, with street reflections crossing the window.

The Street Joins the Table

Beijing, 2024

Two women eat behind a restaurant window. Reflections, lanterns, and signs enter the glass, bringing the street into the space around their table.

A cat sits among ornamental figures on a sunlit tiled roof above red lanterns.

One of Them Can Leave

Beijing, 2024

A cat sits among the roof guardians. For the moment, it holds its place in their procession.

A person holds an illustrated fan over their face beside a decorated scooter.

A Face Left Unseen

Beijing, 2024

A painted fan covers a woman's face. Her dress and gesture remain in view, while the portrait keeps its center to itself.

Two workers in yellow hard hats are beside oversized gold Chinese characters on a pink and green facade.

Working Beneath the Words

Beijing, 2024

Workers stand beside large gold characters on a facade. The scale of the lettering draws attention to the small human figures tending it.

Beneath the Lit Words

The market fills the night with bright lettering. Beneath it, a seated figure, a performer, and two people at a shopfront give the spectacle its human scale.

A panda costume performance.

A Borrowed Shape

Changsha, 2024

A performer takes the shape of a panda. In the street, an invented creature briefly occupies a human place.

Two people standing outside a shop in Changsha

Beside the Shopfront

Changsha, 2024

Two people stand outside a shop. Their shared place at the edge of the doorway holds a small interval in the street.

A dark passerby lifts a hand beneath a large reclining advertising figure.

A Gesture Finds Its Echo

Shanghai, 2024

A passerby's raised hand meets the sweep of a figure on a billboard. At two different scales, the gestures briefly belong to the same movement.

A Pause with Company

Two men share a phone outside a shop. Elsewhere, a group pauses beneath an umbrella as traffic passes. The street continues around these small gatherings.

A pair outside a cafe.

Between Two Smiles

Shanghai, 2024

Two men share a look at a phone outside a shop. Reflections and lettering fill the window behind their conversation.

A group pauses on shop steps while a scooter crosses the foreground in a blur.

Two Speeds of an Afternoon

Shanghai, 2024

Women gather beneath an umbrella while a scooter blurs past. The steps hold one pace of the afternoon; the street carries another.

Along the Same Pavement

Steam fills a counter, and cloth unfolds beside the food stalls. The street brings these neighboring gestures into the same busy field of signs and faces.

Workers face different directions across a counter divided by rising steam.

The Meal Takes Shape

Xi'an, 2024

Steam rises around a young cook and the food-stall counter. Hands, trays, and faces emerge from it as a meal takes shape.

A man holds patterned fabric beside a row of food counters and signs.

Xi'an, 2024

An older man holds a length of cloth beside the food stalls. Its broad folds meet the crowded lettering and small offerings of the street.